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transcription from jonimitchell.com Michael From MountainsGuitar chords transcribed by Howard Wright and Sue McNamara Tuning: FFCGAC "Joni" Tuning: F07723 |
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Sue McNamara already did a nice transcription of this song. I've taken
her version and changed a few chords here and there to come up with
this version, which I think is pretty much spot on.
Thanks to Sue for getting it started!
Intro:
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Cmadd9 F F F F
xx0767 000505 000500 000505 000500
Verse 1:
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F F F
000505 000500 000505
Michael wakes you up with sweets
F Fadd2 Bbm6/9/F Fadd2
000500 000000 001010 000000
He takes you up streets and the rain comes down
F F F
000505 000500 000505
Sidewalk markets locked up tight
F Fadd2 Bbm6/9/F Fadd2
000500 000000 001010 000000
And umbrellas bright on a grey background
Bridge:
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There's a trick you need here for the 10 10 10 10 10 0 and 999990 chords.
To get a barre across the lowest 5 strings and keep the top string open,
you need to use an *overhand* barre. In other words, your hand approaches
the neck from above, with your fingers pointing *down* to the floor. Use
your first finger to barre the 5 strings and leave the top one open.
Although I've heard this overhand technique of Joni's mentioned once or twice,
this is the first time I've actually found it to be the only way to play a
particular chord.
There's an extra subtelty involved here - for the chords at the 10th and
9th fret, the top string alternates between being open and fretted (e.g
the chord sequence is 999990 999999 99990). On one guitar it's possible
to do this (use another finger for the top string), but it's not that easy.
On the original song, there are two guitars playing, and it sounds like
one guitar plays the full barre (i.e top string fretted) and the other
plays the 5-string barre (top string open). So the effect is as if the
top string switches between open and fretted, but it's probably the
interaction of the two different guitar parts.
Of course, it could be that Joni actually *does* change between the two shapes ... but
I find this quite tricky - maybe she has more flexible fingers?!
If you find the switch between chord shapes difficult on one guitar, just use
the 5-string barre, as the open top string is an important note in these chords.
Eb6/9 Ebadd9 Eb6/9
10 10 10 10 10 0 10 10 10 10 10 10 10 10 10 10 10 0
There's oil on the puddles in taffeta patterns
D9 Dadd9 D9
999990 999999 999990
That run down the drain
Dbmaj9 Cadd9
888880 777770
In colored arrangements that Michael will change
Fadd9 Gmadd4 Fadd9 Gmadd4 Fadd9
000000 x22010 000000 x22010 000000
with a stick that he found
Chorus:
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Cmadd9
xx0767
Michael from mountains
Bbadd9
555555
Go where you will go to
Am7 Am7 Am7
x44030 x44034 x44030
Know that I will know you
Gmadd4 Am7 Bbadd9 Abadd9 F F F
x22010 x44030 555555 333333 000505 000500 000505
Someday I may know you very well
Cmadd9 F F F F
xx0767 000505 000500 000505 000500
Verse 2:
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(Same chords as before)
Michael brings you to a park
He sings and its dark when the clouds come by
Yellow slickers up on swings
Like puppets on strings hanging in the sky
They'll splash home to suppers in wallpapered kitchens
Their mothers will scold
But Michael will hold you
To keep away cold till the sidewalks are dry-
CHORUS
Verse 3:
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(Same chords as before)
Michael leads you up the stairs
He needs you to care and you know you do
Cats come crying to the key
And dry you will be in a towel or two
There's rain in the window
There's sun in the painting that smiles on the wall
You want to know all
But his mountains have called so you never do-
Final chorus:
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Cmadd9
xx0767
Michael from mountains
Bbadd9
555555
Go where you will go to
Am7 Am7 Am7
x44030 x44034 x44030
Know that I will know you
Gmadd4 Am7 Bbadd9 Abadd9 F F F
x22010 x44030 555555 333333 000505 000500 000505
Someday I may know you very well
Gmadd4 Am7 Bbadd9 Abadd9 F F F
x22010 x44030 555555 333333 000505 000500 000505
Someday I will know you very well
Cmadd9 F F F F
xx0767 000505 000500 000505 000500
F F F
000505 000500 000505
http://JoniMitchell.com/music/transcription.cfm?id=299
This transcription is the author's own work and represents their interpretation of the song. You may only use this file for private study, scholarship, or research. Copyrighted material on this website is used in accordance with 'Fair Use' |
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