Turbulent Indigo

Release date:  October 25, 1994

Image Gallery [click/touch to enlarge]

Album Notes

Produced by Joni Mitchell and Larry Klein
Recorded and Mixed by Dan Marnien at The Kiva
Mastered by Bernie Grundman
Assistant Engineers: Julie Last, Paula "Max" Schape and Paul Lundin
Production Coordination: Paula "Max" Schaper and Marsha Burns

All songs written by Joni Mitchell except
How Do You Stop by Dan Hartman and Charlie Midnight
Yvette in English by Joni Mitchell and David Crosby

All songs published 1994 Crazy Crow Music BMI
except How Do You Stop © 1986 EMI Blackwood Music Inc./Janiceps Music BMI/EMI April Music Inc./Second Nature Music Inc. ASCAP
and Yvette In English © 1993 Crazy Crow Music/Stay Straight Music BMI
Lyrics Reprinted by Permission. All Rights Reserved.

Paintings © Joni Mitchell

Wayne Shorter appears courtesy of Elektra Entertainment
Seal appears cortesy of ZTT Records Ltd. & Sire Records Company

Art Direction Joni Mitchell and Robbie Cavolina
Paintings by Joni Mitchell
Photography by Robbie Cavolina

Peter Asher Management Inc.

Reviews of the album from the Library:

Transcriptions of songs from the album:


Log in to make a comment

pixieharbottle on

I have followed Joni from the beginning and have most of her albums. Saw her sing in Ronnie Scotts, Soho during an impromptu moment through a blue haze sometime in the sixties/seventies and I've been struck ever since.
For me this album is one of her best, true class.

simmo0655 on

I saw Joni with Tom Scotts LA Express Wembley 1974 ,on the CSNY TOUR ,and have been a Fan all my life ,this album encapsulates all that is the wonder of Joni ,sensitive ,beautiful and surreal ,long may she bring wonderful music to be enjoed by us mortal beings ,respect love and peace .

sweet.bird on

i bought this record after reading up about her later work via wikipedia.
it mentioned that most contemporary musicians, be it whatever style/genre they create or interpret music, have been very keen on interpreting her later work for themselves.

honesty, i have to say that i LOVE this record (as i do every one of hers), but i almost prefer her later work over her earlier work... it's just this seriousness and almost a 'i'm going to do wtf i want' attitude, which resonates in both her voice & lyrical content, but also her rhythmic tapping & pulling/plucking on her guitar.

i honestly recommend this record, it's amazing.