The way I see it he said
You just can't win it
Everybody's in it for their own gain
You can't please 'em all
There's always somebody calling you down
I do my best
And I do good business
There's a lot of people asking for my time
They're trying to get ahead
They're trying to be a good friend of mine
I was a free man in Paris
I felt unfettered and alive
There was nobody calling me up for favors
And no one's future to decide
You know I'd go back there tomorrow
But for the work I've taken on
Stoking the star maker machinery
Behind the popular song
I deal in dreamers
And telephone screamers
Lately I wonder what I do it for
If l had my way
I'd just walk through those doors
And wander
Down the Champs Elysées *
Going cafe to cabaret
Thinking how I'll feel when I find
That very good friend of mine
I was a free man in Paris
I felt unfettered and alive
Nobody was calling me up for favors
No one's future to decide
You know I'd go back there tomorrow
But for the work I've taken on
Stoking the star maker machinery
Behind the popular song
© 1973; Crazy Crow Music
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The actual avenue of the Champs-Elysées did not become city property until 1828, when they added footpaths and fountains. They also added gas lighting at this time.
Today, the Champs Elysées is one of the most famous streets in the world, with its cinemas, cafés, and luxury specialty shops. This special status made it the site of much growth and activity. At the very heart of Paris, it is one of the most symbolic places in the city, representative of its spirit and glory.
The glamour of the Champs-Élysées, particularly its upper end, may not be quite what it was, dominated as it is by airline offices, car showrooms, and bright, light shopping arcades. But there's still the Lido cabaret, Fouquet's high-class bar and restaurant, and plenty of cinemas and outrageously priced cafes to bring the punters in. At Christmas this is where the fairy lights go, and on December 31 everyone happily jams in, in their cars, to hoot in the New Year.
The new landscaping project has removed the avenue's side lanes where cars used to prowl in search of parking spaces, and now pedestrians have an equal share of the avenue's width, with shade from more trees. cultural centers, deluxe hotels and other activities that participate in the tradition and prestige of the Champs-Elysees are encouraged to return by the municipality.
The stretch between the Rond-Point roundabout - whose Lalique glass fountains disappeared during the German occupation -and Concorde is bordered by chestnut trees and municipal flower beds, pleasant enough to stroll among, but not sufficiently dense to muffle the squeal of accelerating tyres. The two massive buildings rising above the greenery to the south are the Grand and Petit Palais, with their overloaded Neoclassical exteriors, rail station roofs and exuberant flying statuary. They house a number of museums and the Grand Palais is the address for major cultural exhibitions, curtailed at the moment due to major restoration works.
On the north side, combat police guard the high walls round the presidential Elysee palace and the line of ministries and embassies ending with the US in prime position on the corner of place de la Concorde. On Thursdays and at weekends you can see a stranger manifestation of the self-images of states in the postage stamp market at the corner of avenues Gabriel and Marigny.
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